The moving image: immutability, metaphors, and the time clocks tell
Through a discussion of habit, myth, metaphor, and logic, the first section of this work is a criticism of method and the presuppositions underlying meaning. The author then presents a phenomenological meditation on clocks as metaphors of time, arguing that trees, hourglasses, mechanical clocks, and digital watches are particular metaphors of time and that they reveal beliefs about the meaning of time. Contents: include: Knowing What One Has Heard; Knowing The Time; and Digital Time as Myth.
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Knowing What One Has Heard
The Habits of Understanding
The Habits of Myth
8 other sections not shown
absolute abstract ambiguity Andric appear articulate assertion autonomy Caligula Cassirer causal clocktime clockwatcher cognitive coherent conception conceptual metaphors concrete consciousness context continuity criticism cultural depends digital watch discursive duration empiricism entails entropy Ernst Cassirer eternity everything is permitted exacerbates existence experience explanation Faber fiction flow flux Foustka Friedrich Nietzsche function future George Steiner habit hence hermeneutical hourglass human Ibid idea illusion immutability implications inevitably interpretation intuition Ivo Andric kind language live logic logical atomism manipulative Max Frisch meaning mentality merely metaphor method modern moments myth of digital naive realism nature Nietzsche notions objective objectivism one's paradox passage past patterns perception perpetual Philosophy Plato possibility potential predicated present ramifications rational reality relationship sense sequence significant spatial specific story structure succession tautology teleologic tell temporal theory things tion Tractatus traditional trans truth understanding University Press Walter Ong Western thought Wittgenstein word York