The Psychology of Music
Gulf Professional Publishing, 1999 - Psychology - 807 pages
The aim of the psychology of music is to understand musical phenomena in terms of mental functions--to characterize the ways in which one perceives, remembers, creates, and performs music. Since the First Edition of The Psychology of Music was published the field has emerged from an interdisciplinary curiosity into a fully ramified subdiscipline of psychology due to several factors. The opportunity to generate, analyze, and transform sounds by computer is no longer limited to a few researchers with access to large multi-user facilities, but rather is available to individual investigators on a widespread basis. Second, dramatic advances in the field of neuroscience have profoundly influenced thinking about the way that music is processed in the brain. Third, collaborations between psychologists and musicians, which were evolving at the time the First Edition was written, are now quite common; to a large extent now speaking a common language and agreeing on basic philosophical issues.
The Psychology of Music, Second Edition has been completely revised to bring the reader the most up-to-date information, additional subject matter, and new contributors to incorporate all of these important variables.
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THE NATURE OF MUSICAL SOUND JOHN R PIERCE I Musical Sound
From Classical Times
Mersenne and Galileo
Time Resolution and Musical Sounds
Spectra and Sound
Resonance and Musical Instruments
Natural Intervals and Scales
Stability of the Interval Standard
Larger Scale Groupings
EqualInterval Tone Complexes
Complexity of Periodic Sounds
Helmholtz Plomp and Dissonance
QuasiMusical and Unmusical Sounds
Descriptions of Musical Sounds
Rudolf Rasch 89 University of Utrecht Utrecht The Netherlands
n The Physical Problem
The Subjective Problem
Weinberger 47 Department of Psychobiology and Center
Experimental Approaches in the Neurobiology of Music
Rhythm Temporal Coding
Perceptual Attributes of Simultaneous Tones
EXPLORATION OF TIMBRE BY ANALYSIS AND SYNTHESIS JEANCLAUDE RISSET AND DAVID L WESSEL I Timbre
The Classical View
The Shortcomings of the Classical Conception
Importance of Characteristic Features
CrossSynthesis and Voice Synthesis
Global or Nonlinear Synthesis
Physical Modeling as a Synthesis Technique
Musical Prosody Fusion and Segregation
AnalysisSynthesis as Fitting Physical and Perceptual Models to Data
The Use of AnalysisSynthesis Models of Timbre
THE PERCEPTION OF SINGING JOHAN SuNDBERG I Introduction
Function of the Voice
Aspects of Voice Timbre
Pitch in Practice
Burns 215 Department of Speech and Hearing Sciences
Musical Interval Perception
Problems with Level Displays
The Parametric Nature of Hierarchical Style Structures
Style Structures as Composite Cognitive Paths
Refining Further Hierarchical Displays
The Musical Reality of StyleStructural Hierarchies
The Limits of Style
Rhythm and Timing in Music Eric F Clarke I Introduction
Timing in Music
Rhythm Timing and Movement
The Performance of Music Alf Gabrielsson I Introduction
Feedback in Performance
Motor Processes in Performance
Measurements of Performance
Models of Music Performance
Physical Factors in Performance
Psychological and Social Factors
Music Ability and Other Abilities
Auditory Agnosias and Verbal Deafness
Progress in the Classification of Auditory Disorders
Progress in the Neuropsychology of Human Music Perception
Music Perception as a Skill
Comparative Music Perception and Cognition
Creativity Communication Meaning and Affect
Perception of Tonality by the Monkey
The musical mind: the cognitive psychology of music
John A. Sloboda
No preview available - 1985
JSTOR: The Psychology of Music
The Psychology of Music Academic Press, New York, 1982, 542 pages, hardcover, $49.50 The Psychology of Music, edited by Diana Deutsch of the Department of ...
The Psychology of Music (1999 second edition) —[The Journal of ...
This edition of The Psychology of Music follows the first edition by 16 years (The Psychology of Music, 1982, also edited by D. Deutsch). ...
link.aip.org/ link/ ?JASMAN/ 108/ 879/ 1
History of Music Psychology
English trans. as Introduction to the Psychology of Music. ... Seashore, Carl Emil (1938) [1866-1949] The Psychology of Music. New York. ...
dactyl.som.ohio-state.edu/ Music829F/ music829F.bibliography.html
The psychology of music
The psychology of music is a subfield of psychology that addresses questions of how ... have frequently used the psychology of music as a touchstone. ...
faculty-web.at.northwestern.edu/ music/ gjerdingen/ Papers/ PubPapers/ PsychMusic.pdf
sciencedirect - The Psychology of Music (Second Edition) Home Page
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www.science-direct.com/ science/ book/ 9780122135644
Music, Psychology of
The psychology of music is a field of scientific inquiry studying the mental operations .... The Psychology of Music. 2nd ed. San Diego: Academic Press. ...
ego.psych.mcgill.ca/ labs/ levitin/ research/ MusicPsychology_final.pdf
The Psychology of Music (Ed.). San Diego: Academic Press (1st Edition, 1982; 2nd Edition, 1999). Grouping mechanisms in music. In D. Deutsch (Ed.) The ...
psy.ucsd.edu/ pages/ people/ faculty/ ddeutsch.html
The Psychology Of Music Tempo — Blogues, Fotos e muito mais no ...
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Diana Deutsch - Wikipedia, the free encyclopedia
She is Editor of the book The Psychology of Music, Academic Press, 1982, ... Deutsch, D. (Ed.) The psychology of Music 2nd Edition, San Diego, ...
en.wikipedia.org/ wiki/ Diana_Deutsch
Music: The Psychological Effects of Music
The psychology of music (2nd ed.) (pp. 473-500). San Diego: Academic Press. Doroftei, M. (1998). Music theory made clear. Unpublished. ...
scottseverance.nfshost.com/ music/ effects_of_music.htm