Screen Acting

Front Cover
Alan Lovell, Peter Krämer
Psychology Press, 1999 - Performing Arts - 184 pages
0 Reviews
While not everyone would agree with Alfred Hitchcock's notorious remark that 'actors are cattle', there is little understanding of the work film actors do. Yet audience enthusiasm for, or dislike of, actors and their style of performance is a crucial part of the film-going experience. Screen Acting discusses the development of film acting, from the stylisation of the silent era, through the naturalism of Lee Strasberg's 'Method', to Mike Leigh's use of improvisation.
The contributors to this innovative volume explore the philosophies which have influenced acting in the movies and analyse the styles and techniques of individual filmmakers and performers, including Bette Davis, James Mason, Susan Sarandon and Morgan Freeman. There are also interviews with working actors: Ian Richardson discusses the relationship between theatre, film and television acting; Claire Rushbrook and Ron Cook discuss theri work with Mike Leigh, and Helen Shaver discusses her work with the critic Susan Knobloch.
  

What people are saying - Write a review

We haven't found any reviews in the usual places.

Contents

Which legacy of the theatre?
10
Acting in the Hollywood
31
Malevolence in motion
46
Mr March Mr Mason and Mr Maine
59
Lee Strasbergs paradox of the actor
75
In praise of older women
88
Resisrance through attistry
106
Actors and the sound gang
126
Acting for Mike Leigh
138
Making ftiends with
152
Bibliographical notes
165
Index
180
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (1999)

Contributors: Cynthia Baron, Sharon Marie Carnicke, Helen Day-Mayer, Susan Knobloch, Paul MacDonald, David Mayer, Roberta E. Pearson, Martin Shingler, Janet Sonenberg , Carole Zucker^l Alan Lovell is Senior Lecturer in Media Studies at Staffordshire University. Peter Kramer is at the University of East Anglia.

Bibliographic information