The Changing Status of the Artist
Emma Barker, Nick Webb, Kim Woods
Yale University Press, 1999 - Art - 260 pages
This book focuses attention on the theme of the artist and especially the changing status of the artist in the early modern period. In a series of case studies-some devoted to a single artist and others dealing more broadly with artistic practice-the authors explore and question the widely held notion that the later fifteenth and sixteenth centuries witnessed the emergence of the modern idea of the artist.
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BIOGRAPHY AND THE IMAGE OF THE ARTIST
NORTHERN EUROPE IN THE SIXTEENTH CENTURY
changing evaluations of Watteau and his
academic art Academy altarpiece Ambrogio Lorenzetti ancient Antwerp architecture art history Benvenuto Cellini Bruegel the Elder Brussels Canons of Art carvers Charles Le Brun classical colour commercial commissions concept creative decorative Delft depicted Discussion drawing Durer Dutch eighteenth-century engraving evidence example Federico Zuccaro fifteenth figures Florence Florentine Floris French fresco Gallery genius genre Ghiberti Goncourt guild Haven and London history painting human humanist ideas Italy Jean-Antoine Watteau Johannes Vermeer Lambert Lombard Lampsonius liberal arts Lives Mander meaning medieval melancholy Melencolia Michelangelo Musee du Louvre Museums and Canons Netherlandish carved altarpieces Netherlands Northern Renaissance Northern Renaissance Art oil on canvas painter panel patrons peasant Photo picture Pieter Bruegel Pietro Lorenzetti Plate portrait produced represented Rome Saint salt-cellar scene sculpture seems self-portrait Siena signify sixteenth century skill status Study style suggest Thore tombs tradition treatise Vasari viewer Virgin and Child visual Watteau's painting workshop Zuccaro