The Folklore Text: From Performance to PrintOffers a history, theory, and methodology of textmaking from an interdisciplinary perspective. This book examines the implications of performance theory for textmaking and constructs a model of an ideal, performance-centered text based on aesthetic field theory. It is useful for folklore studies, oral interpretation, sociolinguistics, and others. |
Contents
3 | 57 |
INTERSEMIOTIC TRANSLATION FROM | 89 |
Translation Theory | 97 |
Copyright | |
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Common terms and phrases
Abrahams action aesthetic field aesthetic transaction American Folklore analysis analytical anthropological argues Art as Performance artistic verbal performance audience behavior Berleant Billy Lyons Birdwhistell Black speech channel communication concepts context culture Dell Hymes Dennis Tedlock describe Edward Sapir equivalence ethnography ethnography of speaking Ethnopoetics example eye dialect falsetto folklore texts folklorists function genre gestures hand emphasis hand on hip hip/arm stance Hutchinson Hymes Ibid iconic interaction intersemiotic translation Journal of American kinemorphic kinesic Lester's linguistic literary dialect molar narrative natural language Nida nonverbal notations Oral Literature paralanguage paralinguistic paralinguistic features participants patterns perceptual performance approach performance features performance style performance tradition performance-centered text phonemes pitch Prague School projections proxemic readers receptor recording performance respellings rhythmic Richard Dorson Semiotics social speech Stagolee Stagolee's stress structural linguistic structure stylistic symbols Tedlock textmaker theory toasts translating performance verbal art performance vocal words