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Foreword by Jay Leyda page
Sketch for a Portrait
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actors Alexander Nevsky Alexandrov artistic attractions audience basic Battleship Potemkin Berlin Bezhin Meadow characters childhood cinema cinematographic close-up colour composition creative death detail director dramatic editing effect Eisenstein archive Eisenstein later Eisenstein set emotional episode Esther Shub everything experience fact Film Form film-making film's final friends Geduld and Gottesman Hollywood ideas images impression Ivan the Terrible Ivan's Ivor Montagu Jay Leyda Jean Mitry Kino Kino-Pravda lectures London Marie Seton Meanwhile Memoirs Mexican Meyerhold mise-en-scene montage montage sequence Moscow Mosfilm Moussinac movement notes October Odessa passion period play precise problem production Prokofiev Proletkult Pudovkin recalls Russian Saint Petersburg scenario scene screen script seems sequence Sergei Sergei Eisenstein shooting shot Sinclair sketches sound Soviet stage story Strauch Strike subsequent symbol theatrical theme theoretical thought tion Tisse took tragedy Tsar Victor Shklovsky vision visual Viva Mexico whole Yutkevich