The Emancipated Spectator

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Verso, Sep 8, 2011 - Art - 134 pages
8 Reviews
The theorists of art and film commonly depict the modern audience as aesthetically and politically passive. In response, both artists and thinkers have sought to transform the spectator into an active agent and the spectacle into a communal performance.

In this follow-up to the acclaimed The Future of the Image, Rancière takes a radically different approach to this attempted emancipation. First asking exactly what we mean by political art or the politics of art, he goes on to look at what the tradition of critical art, and the desire to insert art into life, has achieved. Has the militant critique of the consumption of images and commodities become, ironically, a sad affirmation of its omnipotence?

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Review: The Emancipated Spectator

User Review  - Stefan Szczelkun - Goodreads

The first chapter puts forward the core idea that there has been a myth of peoples passivity generated from the established left which has been a central plank of classism by persuading people of the ... Read full review

Review: The Emancipated Spectator

User Review  - Eric Steere - Goodreads

Ranciere takes exception to the idea of the passive spectator in the world of aesthetics. He posits a power of the spectator that is reactivated in performance (he gives the example of theatre ... Read full review

About the author (2011)

Jacques Rancière is Emeritus Professor of Philosophy at the University of Paris-VIII. His books include The Politics of Aesthetics, On the Shores of Politics, Short Voyages to the Land of the People, The Nights of Labor, Staging the People, and The Emancipated Spectator.

Gregory Elliott is a member of the editorial collective of Radical Philosophy and author of Althusser: The Detour of Theory and Labourism and the English Genius: The Strange Decay of Labour England?.

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