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1st folio 1st quarto 2d folio 2d quarto 4th folio Aaron Bassianus Ben Jonson blood brother Camb Chiron Clown Coll death deed Demetrius dissyllable dost doth dramatic earlier eds early eds edition emperor empress Exeunt eyes father fear Francis Meres friends gentle give Goths grief hand Hanmer Hanmer reads hast thou hath heart heaven hither honour justice king Langbaine Lavinia Lear live lord Macb Malone Marcus Martius Moor Murther Mutius noble omit Philomel play poet Pope prince printed Publius quarto and folios quartos and 1st queen Quintus Rape Ravenscroft Revenge Rich Roman Rome Rome's Romeo and Juliet Rowe reads Saturninus Scene Shakespeare Shakspere shalt sonnes sons sorrow speak Steevens sweet Tamora tears Tereus thee Theo thine thou hast Titus Andronicus tongue tragedy tribunes trisyllable unto villain Walker conjectures weep word Young Lucius
Page 139 - Who pass'd, methought, the melancholy flood, With that grim ferryman which poets write of, Unto the kingdom of perpetual night. The first that there did greet my stranger soul, Was my great father-in-law, renowned Warwick; Who cried aloud, ' What scourge for perjury Can this dark monarchy afford false Clarence...
Page 32 - To move a horror skilfully, to touch a soul to the quick, to lay upon fear as much as it can bear, to wean and weary a life till it is ready to drop, and then step in with mortal instruments to 'take its last forfeit: this only a Webster can do. Inferior geniuses may "upon horror's head horrors accumulate,
Page 159 - By heaven, methinks it were an easy leap, To pluck bright honour from the pale-faced moon, Or dive into the bottom of the deep, Where fathom-line could never touch the ground, And pluck up drowned honour by the locks...
Page 24 - gainst self-slaughter ! O God ! O God ! How weary, stale, flat, and unprofitable Seem to me all the uses of this world ! Fie on't! O fie! 'tis an unweeded garden, That grows to seed; things rank, and gross in nature, Possess it merely.
Page 17 - Shakespeare among the English is the most excellent in both kinds for the stage. For comedy witness his Gentlemen of Verona, his Errors, his Love's Labour's Lost, his Love's Labour's Won,* his Midsummer Night's Dream, and his Merchant of Venice ; for tragedy, his Richard II, Richard III, Henry IV, King John, Titus Andronicus, and his Romeo and Juliet.
Page 30 - For now I stand as one upon a rock Environ'd with a wilderness of sea, Who marks the waxing tide grow wave by wave, 95 Expecting ever when some envious surge Will in his brinish bowels swallow him.
Page 38 - I have been told by some anciently conversant with the Stage, that it was not Originally his, but brought by a private Author to be Acted, and he only gave some Master-touches to one or two of the Principal Parts or Characters...