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PEPPER ON THE AESTHETIC OBJECT
b Critique of The Tests of Relevance
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aesthetic aspects aesthetic experience aesthetic features aesthetic interest aesthetic judgment aesthetic value Art Criticism art form artifact artist artist's intentions artworld audience Battcock Beardsley claims Burden canvas ceptual chapter Chris Burden coherent Conceptual Art Conceptual piece consider context conventions of presentation Cubist determine Dickie claims Dickie's theory distinctions Dylan Thomas entity example George Dickie identifying interpretation ject Joseph Margolis KEVIN WALTER Monroe Beardsley notion object of aesthetic object of criticism Objects Argument painting Pepper claims Pepper says perceived object perceptive series perceptual object performance perience personal aesthetic object phenomenal Philosophy physical object poem Presentationalist principle of distinctness principle of perceptibility problem producing public object qualities refer relevant Richard Wollheim sculpture sense sort of thing specious present stimulus conditions stimulus object Supplementary Essay symbol scheme symbol system thesis thetic object tion Univ View of Toledo viewer W.K. Wimsatt WALTER SWEENEY work's aesthetic character work's character York