Drama in Modern India & the Writer's Responsibility in a Rapidly Changing World: Symposia at the Fourth P.E.N. All India Writers' Conference, Baroda, 1957K. R. Srinivasa Iyengar |
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19th century actors adapted æsthetic amateur ancient Andhra artist Assamese audience Baroda beauty Bengali Bengali drama Bharata blank verse Bombay Chandra characters comedies contemporary creative culture dance dialogue Drama in Modern dramatist English entertainment famous farces full-length plays Gujarati Hansa Mehta Hindi historical dramas historical play human Indian drama influence Kalidasa Kannada Kerala Krishna language literary literature live Mahabharata Malayalam Malayalam drama Marathi Marathi drama Marathi theatre Mithila Modern India mythological one-act plays Oriya Pandit Panjabi Parsi performed Pillai playwright poet poetry political popular powerful present problems produced professional stage prose Puranic rapidly changing world realistic recent religious rendered romantic Sabha Sanskrit drama satirical Shakespeare Shakuntala Shri Shrimati Sindhi Singh social dramas social plays songs spirit story success T. P. Kailasam Tamil technique Telugu themes tion tradition tragedy translated troupes Truth Urdu Urdu drama writer writer's responsibility wrote