Study of the Lute |
Contents
PART I | 7 |
Introduction to the historical section | 14 |
The difference between various | 24 |
Copyright | |
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accomplished according amateurs Amphion ancient applied artists bass beautiful Besard better Boethius Breslau called cantabile chanterelle Chapter chord composed composition concerti consider course court cultivated distinguished Ernst Gottlieb Baron Esaias Reusner especially esteem etiam everything excellent famous masters fantasias fingerboard fingers French fret galant galant music German Gracián Greeks hand harmony harpsichord hear heard Herr Mattheson honor instru invented Italian Johann Johann Mattheson John Dowland Kapellmeister keyboard kind Kircher learned Leipzig lived lute lute makers lute's lutenist luth lyra manner Marcolphus melody mentioned Monsieur musician nature necessary Newsidler noble instrument nonetheless Nuremberg Ochsenkuhn opinion ornaments perfect person pieces player playing the lute poets praise princes quae quod reason Rizzio Roman says scholars Serene Highness skill someone sound spirit splendid strings Sylvius Leopold Weiss tablature taste theorbist theorbo things thoroughbass thought Tieffenbrucker tone treatise tuning violin virtuoso Weiss wish writings