The Primacy of Drawing: Histories and Theories of Practice

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Yale University Press, 2010 - Art - 521 pages
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In this important and original book, Deanna Petherbridge—herself a practicing artist—affirms the significance of drawing as visual thinking in western art from the 15th century to the present. Scrutinizing a wide range of drawings, Petherbridge confirms a long historical commitment to the primal importance of sketching in generating ideas and problem solving, examines the production of autonomous drawings as gifts or for pleasure, and traces the importance of the life-class and theories of drawing in the training of artists until well into the 20th century. She also addresses the changing role of drawing in relation to contemporary practice and its importance for conceptual artists working in a nonhierarchical manner with a multiplicity of practices, techniques and technologies.   In addition to analyzing specific works by Leonardo, Michelangelo, Rembrandt, Goya, Picasso, and other great draftsmen, Petherbridge pays close attention to those artists traditionally regarded as “minor” because of their graphic elaboration or involvement with caricature and play, as well as to the important contribution of women artists in the 20th and 21st centuries. Responding to the vibrant rediscovery of drawing as significant practice in studios, exhibitions, and art schools, Petherbridge proposes an ambitious and novel agenda for the study and enjoyment of drawing.

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Review: The Primacy of Drawing: Histories and Theories of Practice

User Review  - Supineny - Goodreads

Well, I was seduced by this book at the bookstore -- the reproductions are great, the selections are interesting and certainly there are a lot of amazing drawings. It's intriguing and frustrating by ... Read full review

Review: The Primacy of Drawing: Histories and Theories of Practice

User Review  - Howard Cincotta - Goodreads

As one who fitfully tries to sketch in the shadow of my watercolor wife, this volume has an array of drawing and artwork, from Michaelangelo to David Hockney, that is a joy to page through. (Despite ... Read full review

Contents

i
2
Authorship and Connoisseurship
9
Part
15
Copyright

18 other sections not shown

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About the author (2010)

Deanna Petherbridge is Arnolfini Professor of Drawing at the University of the West of England in Bristol and professsor of drawing at the University of Lincoln, and was formerly professor of drawing at the Royal College of Art, London. She has had numerous, highly acclaimed exhibitions of her artwork.

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