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Thomas Cole Starts a Revolution
Art Turns to Life in America
Cole Mediates between European Tradition and American Inspiration
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abroad achieved admired Allston American art American Art-Union American Impressionism American painting Barbizon Barbizon School beauty became Bierstadt Bingham Boston Catlin Catskills Church Cole Cole's color composition considered costume critic Currier and Ives David Gilmour depicted Diisseldorf drawing Durand Eastman Johnson effect emotion English engravings esthetic Europe European exhibited expression figures foreground French Gallery genre painters German high style historical painting history painting Hudson River School hues human illustrations Indians inspiration Jarves John Kensett ladies landscape painting landscapists less Leutze light literary manner mid-century Mount mountains Museum National Academy Native School nature neoclassical neoclassicism never nude Oil on canvas Old Masters Paris popular portraitist portraits portraiture practice Pre-Raphaelites Quidor realistic renditions Rimmer romantic romantic realism scenery scenes seemed sentiment showed sketches subject matter taste Thomas Cole tion Titian vernacular vision watercolor Whittredge William Winslow Homer wrote York City young