Correspondent colorings: Melville in the marketplace
This innovative book makes a major contribution to the current revision of the American literary canon. Challenging the view of Melville as an isolated, alienated genius, Sheila Post-Lauria presents him not only as a writer keenly attuned to the popular culture of his day but also as one who considered reliance upon cultural materials fundamental to his creativity. Firmly grounded in the new scholarship on the history of nineteenth-century print culture and in studies of Melville's contemporaries, Correspondent Colorings provides a rereading of Melville's oeuvre that casts new light on masterpieces like Moby dick and ambiguous texts such as Benito Cereno, as well as lesser known magazine and the late poetry.
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adventure American Literature American Renaissance antebellum artistic audiences Bartleby Beneath the American Benito Cereno Briggs Cambridge chapter characters Charles Charles Briggs Confidence-Man consider context conventions creativity critical cultivated readers culture Dana depiction described discussion editors Evert Duyckinck fiction French sensational genre George George Palmer Putnam George William Curtis Godey's Graham's Harper's Hawthorne Herman Melville Historical Note ideological interest Ishmael Israel Potter Jimmy Rose Journal letter Long Ghost magazine manuscript Mardi marketplace Melville's Early metaphysical middle-class mixed form Moby-Dick mode monthly moral N. P. Willis narrative form narrator narrator's Nathaniel Hawthorne native nautical reminiscence novel Omoo perspective Pierre Poe's poetic poetry political popular practices praised published Putnam's readerships realistic Redburn Redburn and White-Jacket reviewers rhetoric sailors sensational romance ship social society South Seas stance story strategies stylistic subversive suggests tale thematic themes tion tradition travel narrative travel writers University Press views ville's whale White-Jacket William