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For the sake of convenience the text hat been divided in Part I II in this reprint
Hrdaya Kautuka Hrdaya Prakash
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Ahobala ancient writers Anupa anuranan aroha avaroha becomes komal Bhairavi Bharata Bhava Bhatta Bikaner Bilawal chart classification described four srutis frets ft 9i ft ft ft q q q q ft Gamaks gandhara gatis Granthas Hindustani Music Hindusthani janya ragas Kafi kaishika kakali Kallinath Karnatik system komal Lochana maddhyama mela mentioned modern Mukhari murchhana music system Natya Shastra nishada Northern musician Observation.—The panchama Pandit Prakasha Pundarika Raga Adhyaya Raga Mala Raga Manjari Raga Vibodha Rama Amatya reader rishabha sadharana Sama-Veda samvadi Sangeeta Parijata Sangeeta Ratnakara Sangita Sanskrit says scholars second sruti seven vikrita swaras shadja grama Sharangdeva Shrutis and Swaras shuddha and vikrita shuddha scale Shuddha Thata slokas Somnath sounds southern system Sri Nivasa sung swara names system of music tara Tarangini Thata third sruti three srutis tivra tivratara Translation.—The Translation.—When treatises Tulajirao twenty two srutis verses Vidyapati vikrita swaras vina Vyankata Makhi