A Guide to DrawingA GUIDE TO DRAWING provides an excellent balance of classic, historical examples from around the world coupled with the most current images that reflect the state of the art of drawing. The text provides a systematic and sound course of instruction, beginning with an introduction to the nature of drawing, an invitation into the initial experiences of drawing, both underscored by an emphasis on the importance of learning how to see and see deeply. The text moves through chapters on art elements, drawing media and subject matter, concluding with more advanced topics that can be used in subsequent courses, encouraging students to keep this text as a reference through their program and on into their careers as artists. |
Common terms and phrases
Albers allows American angle Anni Albers appear areas begin brown ink cast shadows charcoal Charles Sheeler Collection colored pencils combination composition conté crayon contour drawing contrast Courtesy the artist create cross-hatching cube defined depicting detail determined develop diagonals drawn Edgar Degas edges effect eye level figure finished drawings French gesture Giorgio Morandi graphite gray grid head Henri Matisse horizon line hues illustration interest Josef Albers Käthe Kollwitz landscape light and dark linear look media and techniques medium movement Museum of Art Nude objects Pablo Picasso painting pastel patterns Pen and ink picture plane portrait pose position Project relationships reveals seen Select Self-Portrait sense shapes sheet side Silverpoint Sketchbook Activities sketches smooth square still-life strokes suggested surface texture Theophilus Brown three-dimensional tion tone vertical viewer Vincent van Gogh visual wash Wayne Thiebaud width York