Elizabethan Drama, 1558-1642: A History of the Drama in England from the Accession of Queen Elizabeth to the Closing of the Theaters, to which is Prefixed a Résumé of the Earlier Drama from Its Beginnings, Volume 1 (Google eBook)
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acted actors allegory allusion authorship Ben Jonson Bullen Chambers Chapman character chronicle play classical Collier comedy of manners contemporary court curtain Dekker dialogue domestic drama dramatist earlier earliest early Eastward Hoe Edward Elizabeth Elizabethan drama England English drama Euphuism extant Faustus Fleay Fletcher Friar Gorboduc Greene Greene's Hamlet Henry VIII Henslowe Henslowe's heroical Heywood humor Ibid influence interest interlude Italian John John Heywood Jonson King Kyd's Lady later Latin less Locrine London Lord Ludus Coventriae Lyly Lyly's Marlowe Marlowe's medieval mentioned Middleton miracle play Modern morality old play Peele Peele's performance personages Plautus players playwrights plot poet poetry popular Prince printed production Queen realistic reign religious reprinted Revels Richard Roister romantic drama royal satirical scene Seneca Shake Shakespeare Spanish Tragedy speare's spirit stage story Tamburlaine theaters theme Thomas Thomas Kyd tion Titus translation wife William Rowley written
Page 222 - From jigging veins of rhyming mother wits, And such conceits as clownage keeps in pay, We'll lead you to the stately tent of war, Where you shall hear the Scythian Tamburlaine Threatening the world with high astounding terms, And scourging kingdoms with his conquering sword.
Page 477 - Nay, their endeavour keeps in the wonted pace : but there is, sir, an aery of children, little eyases, that cry out on the top of question, and are most tyrannically clapped for 't : these are now the fashion, and so berattle the common stages— so they call them— that many wearing rapiers are afraid of goose-quills and dare scarce come thither.
Page 576 - The White Devil, or, the Tragedy of Paulo Giordano Ursini, Duke of Brachiano, with the Life and Death of Vittoria Corombona, the famous Venetian Curtizan.
Page 525 - The third requisite in our poet, or maker, is imitation: to be able to convert the substance or riches of another poet to his own use. To make choice of one excellent man above the rest, and so to follow him till he grow very he, or so like him as the copy may be mistaken for the principal.
Page 478 - O that Ben Jonson is a pestilent fellow ; he brought up Horace, giving the poets a pill ; but our fellow Shakespeare hath given him a purge, that made him bewray his credit.
Page 458 - As when some one peculiar quality Doth so possess a man, that it doth draw All his affects, his spirits, and his powers, In their confluctions, all to run one way, This may be truly said to be a humour.
Page 218 - I have been told by some anciently conversant with the stage, that it was not originally his, but brought by a private author to be acted, and he only gave some master-touches to one or two of the principal parts or characters...
Page 478 - Few of the university pen plays well; they smell too much of that writer Ovid and that writer Metamorphosis, and talk too much of Proserpina and Jupiter. Why, here's our fellow Shakespeare puts them all down, aye, and Ben Jonson too.
Page 284 - The Famous History of Sir Thomas Wyat. With the Coronation of Queen Mary, and the coming in of King Philip.