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Section HI Grasp of the Stick
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accompaniment achieve Arthur Nikisch audience balance bar and fig Beethoven brass cellos choir circle clefs concertos conducting conductor detail difficulty double mental process drive the train easily elbow ensemble Extra Joint fact feeling finger pressed forward fingers and thumb forearm pivoting forte piano give grip habit handbook Haydn Holding the stick important impression instance left hand legato let the stick Line of Sight mark ment mind necessary never octave orchestra pace passage perfectly loose performance perhaps pianoforte players and singers preliminary position Fig pressed forward Fig rehearsal Rest Position result rhythm right hand ruin the expressiveness rule scale Scherzo second beat Second finger pressed Section VII shoulder shown in figs singer who leans slow soloist sometimes sopranos stand stick moves stick stop straight stretch sub-division Symphony technique thing true to say unconscious usually violence of gesture violins watch whole arm woodwind