Acting as a Business: Strategies for Success

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National Book Network, 1999 - Performing Arts - 116 pages
3 Reviews
In Acting As a Business, New Edition, you will find: How to put together a theatrical resume for both the East Coast and the West Coast actor - Specific examples of cover letters and other correspondence - Practical ways of joining the performer's unions - How to prepare for and answer the questions most often asked by agents in an interview, techniques for auditioning in the agent's office, and the art of effective interview follow-up - Strategies for finding work in the theater, on soap operas, and in independent films - Tactics for getting an agent and finding out casting information well in advance of casting - A chart showing an easy way to keep records of which casting directors know your work - How to interview a prospective personal manager - A discussion of the "League" schools

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Review: Acting as a Business: Strategies for Success

User Review  - Ashley - Goodreads

a bit out-dated, but definitely worth the read Read full review

Review: Acting as a Business: Strategies for Success

User Review  - Scott - Goodreads

Brian O'Neil's, Acting As a Business, should be an actor's bible for career starting. Amazingly useful on how to land an agent and start your career off in a productive manner. He teaches how you can ... Read full review


Chapter One From Stage to Screen I
Chapter Three About the Unions
Chapter Five Approaching the Agents

6 other sections not shown

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About the author (1999)

Brian ONeil is a former talent agent and personal manager who has represented actors for theater, film, television, commercials, and radio. As a talent representative, he was responsible for the career guidance and professional placement of hundreds of young actors, including some of todays biggest stars. Brian is founder of Acting As a Business, a one-on-one career consultation service for actors, and author of Actors Take Action: A Career Guide for the Competitive Actor (Heinemann). He lives in New York City, where he is a frequent lecturer at New Yorks finest drama schools.

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