Bollyworld: Popular Indian Cinema Through A Transnational Lens

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Raminder Kaur, Ajay J Sinha
SAGE, Jul 13, 2005 - Language Arts & Disciplines - 343 pages
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This volume brings together a group of international scholars to analyze the globalized networks of Indian cinema. It provides a critique of a common scholarly tendency in the field of popular cinema of defining Indian films in terms of their modernity and desire for nationhood. Bollyworld argues that Indian cinema cannot be understood in terms of this national paradigm, and must be more properly described as a field of visual and cultural production that interlinks sites as diverse as the cosmopolitan city of Bombay, the provincial region of Maharashtra, and countries such as Nigeria, Germany, South Africa and the United Kingdom.

The twelve essays track the intra-national and trans-national movements of Bollywood cinema. Divided into three sections, the first discusses the technology and aesthetics of India's commercial cinema as it developed in the period that spans the silents from 1913 to the advent of the talkies in 1931.

The second section studies these films as 'local', 'intertextual' manifestations of globalization and highlights the changes in post-liberalization cinema. Against the backdrop of economic liberalization, the institutionalization of multiculturalism and a strong voice of migrant Indian populations, the third section focuses on the overseas reception of Indian films.

  

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User Review  - deepakjois - LibraryThing

A heavy read which consists of a lot of good sociological papers on Bollywood and its impact on communities and people outside India. One of the more interesting papers in the book is by Brian Larkin ... Read full review

Contents

III
11
IV
35
V
70
VI
90
VII
118
VIII
143
IX
163
X
186
XI
207
XII
239
XIII
261
XIV
284
XV
309
XVI
330
XVII
333
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Page 9 - We would like to thank all the contributors to this volume for their enthusiasm and generosity with their time and effort.

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About the author (2005)

Kaur has recently finished her Ph.D. at the School of Oriental and African Studies, University of London, and is Artistic Director and chief script writer of Chandica Arts.

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