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Edited by Michael Worton
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abstract abstract expressionism aesthetic artist Bara's Barberini Baroque Barthes Baudelaire body Bonaparte Butor's Cambridge Caravaggio Cezanne Cezanne's colour conception context cultural D.H. Lawrence David David's painting death deixis Deleuze detail dialectic Diaspora Diasporist Manifesto discourse distinction edited effect Emperor engagement epistemological erotic essay expressionism fascination figure film filmic fldnerie folds foreground fragment French gaze genre Gros Gros's Gustave Caillebotte history painting Ibid iconography Jewish Jews Joe Singer Kitaj language Laocoon light light-writing London look Louis Marin Manet means Michel mode modern Napoleon narrative narratology narrator National nausea novel painter Pantheon Paris pictorial picture poetry political Pot-Bouille Poussin R.B. Kitaj reader Reed's relation representation represented Robespierre Roland Barthes Rome second person second-person narrative second-personhood seen semantic sense sexual signifier signs specific suggest surface synecdoche temple in Jerusalem theory Titus tradition translated University Press verbal viewer vision visual Volpe Volpe's Wollheim Zola