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Hindu Thought in Indian Music
The Cosmology of Indian Music
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Akbar alap artist asthai audience avroha B D E bandish basic blending century clap colour concert contain course culture Delhi distinct Dr Fabri drut echoes emotion existence exposition fact flat gamak ganas gharanas guru Hindu view Indian music Indian musician instance instrument instrumentalist jati jhala Khan Sahib kitchree komal laghu listen madhya laya madhya saptak mandra mandra saptak manifest matras meaning measure meend melodic Menuhin metre music of India musicologists nine nirakara notes octave one's Pandit performer perhaps phenomena phrases pulse beat pure experience purity purvang raga raga's Ravi Shankar recognise rhythm SA-gram sakara sampurna samvadi Shadav shuddha silence singer sitar song sound srutis strings sung or played svara syllables tabalia tabla tala Tansen tempo thing thought tivra tradition tuned understand unit unity universe unmanifest Ustad uttarang Vadi svara varnas Veda vilambit Vilayat Khan Western music Yaman Yehudi Menuhin zero