Keyboard Music Before 1700Alexander Silbiger Keyboard Music Before 1700 is an introduction and guide to the most significant keyboard literature of the Renaissance and early Baroque periods. Covering music written for organ as well as stringed keyboard instruments, Keyboard Music Before 1700 surveys the central keyboard repertory before Bach. The book explores through representative works the styles, textures, genres, instruments, and performance practices that characterize the keyboard music of this period. Because national musical traditions were quite distinct in this period, the volume is divided into chapters devoted to the main regions, with major composers treated within the context of national styles. Each chapter has been written by a specialist in the music of a particular region: Alan Brown writes on England, where Byrd and the virginalists began a tradition of finely crafted keyboard works; Bruce Gustafson on France, where the Couperins and other composers evolved a "classic" style all their own; John Butt on Germany, where the blind fifteenth-century organist Conrad Paumann became the first celebrity of the keyboard; Robert Judd on Italy, where grand basilicas inspired majestic compositions for the organ; and Robert Parkins on Spain and Portugal, where keyboard music retained a Renaissance flavor well into the seventeenth century. Volume editor Alexander Silbiger has supplied a general introduction to the rich and diverse keyboard repertory of the years before 1700. |
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Page 263
... thematic profiles ) . Subject C is a version of A with the fourth note omit- ted ; subject B retains the scalar third of A , but is further removed than C. Gabrieli's canzonas appear in three volumes . The most interesting are nine ...
... thematic profiles ) . Subject C is a version of A with the fourth note omit- ted ; subject B retains the scalar third of A , but is further removed than C. Gabrieli's canzonas appear in three volumes . The most interesting are nine ...
Page 275
... thematic variation , as well as free and inganno - based rhythmic and melodic varia- tions of the subjects . De Macque is the first to present all thematic mater- ial at the beginnings of his ricercars , combining three or four subjects ...
... thematic variation , as well as free and inganno - based rhythmic and melodic varia- tions of the subjects . De Macque is the first to present all thematic mater- ial at the beginnings of his ricercars , combining three or four subjects ...
Page 291
... thematic variation in the 1627 works , which continue the trend of subtlety established in the earlier set . All six of the 1627 canzonas employ variation to some degree ( two of the 1615 set do not ) ; the most subtle example , Canzona ...
... thematic variation in the 1627 works , which continue the trend of subtlety established in the earlier set . All six of the 1627 canzonas employ variation to some degree ( two of the 1615 set do not ) ; the most subtle example , Canzona ...
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Common terms and phrases
Andrea Gabrieli Bach Baroque bass Bauyn Bernardo Pasquini Book Buxheim Buxtehude Byrd Byrd's Cabanilles Cabezón cadence cantus firmus canzonas Chambonnières chant chorale chord composers compositions contrapuntal counterpoint d'Anglebert dance durezze early edition EXAMPLE Facsimile fantasias figuration fingering French Frescobaldi Froberger Froberger's fugal fugue galliard genre German gigue hand harmonic harpsichord harpsichord music Iberian imitation improvised intabulations Italian Johann keyboard instruments keyboard music later liturgical London Louis Couperin lute Magnificat manuscript medio registro melody ments Merulo meter motives movements Mulliner Book Nevell notation notes octave opening organ music organist ornamental Parthenia Pasquini pavan pedal performance pieces plainsong played player polyphonic preludes published registrations repertory rhythm rhythmic ricercars sarabande Scheidemann's Scheidt's seventeenth century Silbiger solo sources strain style suites surviving Sweelinck tablature tenor texture thematic theme Thurston Dart tientos tion toccatas Tomkins Trabaci tradition tunes variation versets vocal voices volume