Cinema and the Spectacle of Colonialism: American Documentary Film and (post) Colonial Philippines, 1898-1989, Volume 1Northwestern University, 2002 - Documentary films |
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Aguinaldo Alpert American documentaries American military American soldiers Aquino audience Bill Nichols camera captured chapter characterization cinéma vérité claims Cold War colonial colonial documentaries colonial encounter colonial imaginary colonial love colonialist colonizer's Communist corpus critical cultural Dean Worcester democracy discourse discussion dissertation documentary cinema Documentary Film dramatic Economy of United Edison Emilio Aguinaldo empire enemy Enrico episode event figure Filipino film's filmmaking flag footage former colony historian historiography ideological Ifugao imagination imperialist insurgents intertitle interview Islands Japanese José Rizal Karnow Koppel Manila Marcos Maxi mock battle modern motion picture narrative native native's neocolonialism nonfiction cinema nonfiction film performance Philippine-American Philippine-American War photographs political postcolonial travel practice present President produced question Quezon City racial reality relationship representations represents resistance rhetoric scene scholar screen shot shows spectacle spectators stylistics subjects Tagalog Tasyo's Third World trope University Press USIA viewers vision Worcester Worcester's York