Society of the Spectacle

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Rebel Press, Dec 1, 2006 - Philosophy - 119 pages
116 Reviews
The Das Kapital of the 20th century. An essential text, and the main theoretical work of the situationists. Few works of political and cultural theory have been as enduringly provocative. From its publication amid the social upheavals of the 1960's up to the present, the volatile theses of this book have decisively transformed debates on the shape of modernity, capitalism, and everyday life in the late 20th century. This new edition is the Ken Knabb translation. Certainly it has the most "modern" design of all three editions, as well as a short new introduction from the translator.

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Some keen insight into late capitalism nonetheless. - Goodreads
God the writing in this was painful to get through. - Goodreads
Very aphorismic writing. - Goodreads

Review: The Society of the Spectacle

User Review  - Charo Welle - Goodreads

It is a good book if you are seeking to learn about Marxist theory and the mindset of those opposing a market economy. Debord is too random at times and dense. Reading this book can become boredom ... Read full review

Review: The Society of the Spectacle

User Review  - Conor Crockford - Goodreads

Good stuff, though I'm skeptical about Marxist theorizing and theory in general (which tends to be impenetrable and sometimes can lapse into masturbation). Read full review

Contents

The Culmination of Separation paragraphs 134
6
The Commodity as Spectacle 3553
18
Unity and Division Within Appearance 5472
26
Copyright

6 other sections not shown

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References to this book

Spatial Formations
Nigel Thrift
No preview available - 1996
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About the author (2006)

Guy Debord was born in Paris in 1931 and committed suicide in 1994. A Marxist theorist, French writer, poet, filmmaker, hypergraphist and founding member of the groups Letterist International and Situationist International, Debord is best known as the leading theoretician of the situationist movement. His works translated into English include The Society of the Spectacle, Comments on the Society of the Spectacle, and Panegyric.

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