Leonardo Da Vinci: The Divine And The Grotesque
The pursuit of beauty and its opposite was one of the central themes of Leonardo da Vinci's life. This book looks in detail at 75 drawings of the divinely beautiful and the grotesquely ugly from the unrivalled collection preserved in the Royal Library at Windsor Castle.
In his introductory essay, Martin Clayton explores Leonardo's life-long urge to create such drawings. Individual entries then look at each of the selected works, placing them in the context of contemporary attitudes to beauty, notions of perfect proportion, popular images of the comically ugly, and accepted modes of artistic creation and social behaviour. Among the drawings are studies for Leonardo's masterpieces such as the Last Supper and Leda and the swan, imaginary heads drawn to capture the perfect profile, satirical grotesques, dissections of the head, portraits of Leonardo's associates, designs for masks and festival costumes and much else.
Leonardo's studies of heads are some of the most fascinating and idiosyncratic works ever produced by this archetypal genius. This is the first book to explore the subject fully. With 149 illustrations, 92 in colour.
23 pages matching chalk on red in this book
Results 1-3 of 23
What people are saying - Write a review
An Outl1ne of Leonardos L1fe
A Note on Leonardos Draw1ngs and Manuscr1pts
The Prof1le Sheet cat
7 other sections not shown
anatomical Andrea del Verrocchio artist Atlanticus f Attributed to Francesco Battle of Anghiari beard beauty Biblioteca Ambrosiana black chalk brow Cecilia Gallerani century chalk on red chin Codex Atlanticus Codex Urbinas composition copy costume depicted detail drawn emotion expression eyes face facial figure Florence Francesco Melzi Gian Paolo Lomazzo Giorgio Vasari Gypsies hair hairstyle hand head studies headdress horse human ink over black Keele and Pedretti Last Supper later Leda left profile legs Leonardo da V1nc1 Leonardo's drawings Leonardo's notes lips Louvre Ludovico Sforza Madonna and Child Marani Massys Melz1 metalpoint Milan motif mouth mural Museum nose Numbered by Melzi painting Pen and ink portrait probably proportions red chalk red prepared paper Renaissance Richter right profile Salai sketch St Anne suggested surviving tion treatise V1nc1 The bust V1nc1 The head Vasari Venice Verrocchio verso Vitruvius warrior Windsor youth