The Anarchy of the Imagination: Interviews, Essays, Notes

Front Cover
Michael Töteberg, Leo Lensing
Johns Hopkins University Press, Sep 1, 1992 - Performing Arts - 251 pages
1 Review
The Anarchy of the Imagination collects Fassbinder's most important interviews, essays, and working notes - nearly all presented here for the first time in English. They are an indispensable record of the self-understanding and self-stylization of this major artist, one of the most influential cultural figures to emerge from postwar Germany. Fassbinder's essays and other writings commanded a degree of public attention rarely achieved by film makers in the United States. His articles appeared in major newspapers such as the Frankfurter Rundschau and Die Zeit, where they both influenced the cultural scene and intervened in the acrimonious debates on terrorism and anti-Semitism that swept West Germany in the late 1970s and early 1980s.

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Review: The Anarchy of the Imagination: Interviews, Essays, Notes

User Review  - adam brown - Goodreads

i can't get enough of his films. i hope to be, in some aspects, the writer he was the director Read full review

Review: The Anarchy of the Imagination: Interviews, Essays, Notes

User Review  - Michael - Goodreads

However you feel about Rainer Werner Fassbinder as a director -- and I happen to feel that among his many, many films are some of the greatest ever made -- this collection attests to the fact that he ... Read full review

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About the author (1992)

Werner Fassbinder, a German film director and actor, was prolific in his short life. Though he died at age 37, he had already directed 41 films in 13 years. He had also written, acted, and produced for the theater. Fassbinder's films, most of which were made with his own company of actors, are notable for the skepticism and irony with which they view the prosperous and corrupt German society that arose from the wreckage of World War II. Among Fassbinder's better-known works are The Third Generation (1979), a work about terrorists; The Bitter Tears of Petra von Kant (1972), which explores the recurrent theme of homosexuality his work); and Berlin Alexanderplatz (1980), a searing descent into the lower-class and criminal worlds that was made for television.

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