Passing and the Fictions of Identity

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Elaine K. Ginsberg
Duke University Press, May 7, 1996 - Literary Criticism - 298 pages
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DIVPassing refers to the process whereby a person of one race, gender, nationality, or sexual orientation adopts the guise of another. Historically, this has often involved black slaves passing as white in order to gain their freedom. More generally, it has served as a way for women and people of color to access male or white privilege. In their examination of this practice of crossing boundaries, the contributors to this volume offer a unique perspective for studying the construction and meaning of personal and cultural identities.
These essays consider a wide range of texts and moments from colonial times to the present that raise significant questions about the political motivations inherent in the origins and maintenance of identity categories and boundaries. Through discussions of such literary works as Running a Thousand Miles for Freedom, The Autobiography of an ExĖColoured Man, Uncle Tomís Cabin, The Hidden Hand, Black Like Me, and Giovanniís Room, the authors examine issues of power and privilege and ways in which passing might challenge the often rigid structures of identity politics. Their interrogation of the semiotics of behavior, dress, language, and the body itself contributes significantly to an understanding of national, racial, gender, and sexual identity in American literature and culture.
Contextualizing and building on the theoretical work of such scholars as Judith Butler, Diana Fuss, Marjorie Garber, and Henry Louis Gates Jr., Passing and the Fictions of Identity will be of value to students and scholars working in the areas of race, gender, and identity theory, as well as U.S. history and literature.

Contributors. Martha Cutter, Katharine Nicholson Ings, Samira Kawash, Adrian Piper, Valerie Rohy, Marion Rust, Julia Stern, Gayle Wald, Ellen M. Weinauer, Elizabeth Young
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Contents

The Politics of Passing
1
Speaking of Olaudah Equiano
21
Passing Possession and Transgression in Running a Thousand Miles for Freedom
37
The ReConstruction of Race
57
Passing for Black Passing for White
59
Passing as a Narrative and Textual Strategy in Nella Larsens Fiction
75
Blackness and the White Imagination
101
Spanish Masquerade and the Drama of Racial Identity in Uncle Toms Cabin
103
Reflections on White Identity in Black Like Me
151
Creating the Self
179
The Case of the CrossDressed Civil War Soldier
181
Passing Nostalgia and Giovannis Room
218
Passing for White Passing for Black
234
Works Cited
271
Index
285
Contributors
297

Uncovering The Hidden Hand
131

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About the author (1996)

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Elaine K. Ginsberg is Professor of English at West Virginia University.

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