Creating Special Effects for TV and VideoCreating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text. Creating Special Effects for TV and Video is a concise and practical introduction to the techniques used in television production. Now completely updated, this third edition covers a wide range of special effects in a simple and practical form, with clear illustrations and photographs that support the text. Bernard Wilkie now a freelance consultant, director and writer, spent 25 years creating special effects for BBC TV where he became manager of one of the largest and most specialised visual FX units in the world. |
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Page 64
... light that strikes it back along the path from which it came . This of course implies that all the light is reflected back to the pro- jector . To make the system work it is necessary to install a beam - split- ter between the projector ...
... light that strikes it back along the path from which it came . This of course implies that all the light is reflected back to the pro- jector . To make the system work it is necessary to install a beam - split- ter between the projector ...
Page 96
... light and illuminate items with which they come into contact . Clear acrylic plastic transmits light so it can be used to make articles in which a light source at one end illuminates the other . Pokers The business end of a red - hot ...
... light and illuminate items with which they come into contact . Clear acrylic plastic transmits light so it can be used to make articles in which a light source at one end illuminates the other . Pokers The business end of a red - hot ...
Page 168
... light and shadows to imply that something is behind the camera , when in reality it doesn't exist . Typical would be sunlight through prison bars , open doors , stained - glass windows , etc. Reflected light Faced with the problem of ...
... light and shadows to imply that something is behind the camera , when in reality it doesn't exist . Typical would be sunlight through prison bars , open doors , stained - glass windows , etc. Reflected light Faced with the problem of ...
Contents
INTRODUCTION | 9 |
ANIMATION STAND CAMERAWORK | 16 |
COMPUTERISED EFFECTS 1 | 22 |
Copyright | |
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action actor animation arrow background black powder blizzard bomb bottles Bowden cable BULLET EFFECTS bullet hit burning camera dollies capsule Chroma Key clear plastic Cloned functions clothing cobwebs colour Colour Separation Overlay Compressed air constructed containing cut-out designed detonator devices dry-ice electric ensure equipment expanded polystyrene explosives film fire effect Flame fork flash flash powder Focal Press frame front Fuller's Earth glass fibre gunpowder hanging miniature heat holes ignite lamp latex light liquid machine material metal mirror mixture model ship mould movie nylon nylon line operated optical optical printer outdoors painted picture pieces Pinewood Studios placed plaster plate powder produce projectile projector props pyrofuse pyrotechnics rain realistic released resin sawdust scene scenic screen sequences sheet shot simulate smoke gun snow sparks special effects sprayed studio suitable surface switch tank technique telecine tube underwater weight window wire