Envisioning the Tale of Genji: Media, Gender, and Cultural Production

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Haruo Shirane
Columbia University Press, 2008 - Literary Criticism - 400 pages
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Bringing together scholars from across the world, Haruo Shirane presents a fascinating portrait of The Tale of Genji's reception and reproduction over the past thousand years. The essays examine the canonization of the work from the late Heian through the medieval, Edo, Meiji, Taisho, Showa, and Heisei periods, revealing its profound influence on a variety of genres and fields, including modern nation building. They also consider parody, pastiche, and re-creation of the text in various popular and mass media. Since the Genji was written by a woman for female readers, contributors also take up the issue of gender and cultural authority, looking at the novel's function as a symbol of Heian court culture and as an important tool in women's education. Throughout the volume, scholars discuss achievements in visualization, from screen painting and woodblock prints to manga and anime. Taking up such recurrent themes as cultural nostalgia, eroticism, and gender, this book is the most comprehensive history of the reception of The Tale of Genji to date, both in the country of its origin and throughout the world.

  

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Contents

The Tale of Genji and the Dynamics of Cultural Production Canonization and Popularization
1
Figure and Facture in the Genji Scrolls Text Calligraphy Paper and Painting
49
The Tale of Genji and the Development of FemaleSpirit Nō
81
Monochromatic Genji The Hakubyō Tradition and Female Commentarial Culture
101
Genre Trouble Medieval Commentaries and Canonization of The Tale of Genji
129
Didactic Readings of The Tale of Genji Politics and Womens Education
157
Genji Pictures from Momoyama Painting to Edo Ukiyoe Cultural Authority and New Horizons
171
The Splendor of Hybridity Image and Text in Ryūtei Tanehikos Inaka Genji
211
Wartime Japan the Imperial Line and The Tale of Genji
288
The Tale of Genji in Postwar Film Emperor Aestheticism and the Erotic
303
Sexuality Gender and The Tale of Genji in Modern Japanese Translations and Manga
329
Chapter Titles of The Tale of Genji
359
Selected Bibliography on The Tale of Genji and Its Reception in English
363
Contributors
371
Index
375
Copyright

The Tale of Genji National Literature Language and Modernism
243

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About the author (2008)

Haruo Shirane is Shincho Professor of Japanese Literature in the Department of East Asian Languages and Cultures at Columbia University. He is the author and editor of numerous books on Japanese literature, including Traditional Japanese Literature: An Anthology, Beginnings to 1600; Early Modern Japanese Literature: An Anthology, 1600-1900; and Classical Japanese: A Grammar.

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