The 'do-it-yourself' artwork: participation from fluxus to new media

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Manchester University Press, Aug 15, 2010 - Art - 312 pages
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Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you -- the viewer -- are invited to "do it yourself." Rather than a specialist topic in the history of twentieth- and twenty-first century art, the "do-it-yourself" artwork raises broader issues concerning the role of the viewer in art, the status of the artwork, and the socio-political relations between art and its contexts.

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Contents

Clark Cultural Association page
2
Three pioneers Guy Brett
25
Liberdade Liberty Cape by Helio Oiticica and Rubens
32
Copyright

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About the author (2010)

Anna Dezeuze is an Honorary Research Fellow in Art History and Visual Studies at the University of Manchester.

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