The 'do-it-yourself' artwork: participation from fluxus to new media
Viewers of contemporary art are often invited to involve themselves actively in artworks, by entering installations, touching objects, performing instructions or clicking on interactive websites. Why have artists sought to engage spectators in these new forms of participation? In what ways does active participation affect the viewer’s experience and the status of the artwork? Spanning a range of practices including kinetic art, happenings, environments, performance, installations, relational and new media art from the 1950s to the present, this critical anthology sheds light on the history and specificity of artworks that only come to life when you -- the viewer -- are invited to "do it yourself." Rather than a specialist topic in the history of twentieth- and twenty-first century art, the "do-it-yourself" artwork raises broader issues concerning the role of the viewer in art, the status of the artwork, and the socio-political relations between art and its contexts.
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Clark Cultural Association page
Three pioneers Guy Brett
Liberdade Liberty Cape by Helio Oiticica and Rubens
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Abramovic Abramovic's action activity Agamben Allan Kaprow architectural argue artists audience become behaviour body Bourriaud Brecht Bruce Nauman Chapter collaboration concept concrete art contemporary art context created critical critique cultural curator David Medalla discourse discussion do-it-yourself artwork economy environment essay everyday example exchange exhibition experience face fetish Fluxus function gallery George Brecht George Maciunas gift Gillick GRAV Guy Brett Hansen Helio Oiticica hinge Hirschhorn human Human Race Machine Ibid identity individual infra thin installation interaction kind Liam Gillick London Lygia Clark Maciunas Marina Abramovic material Mauss Medalla Morris's museum Nauman Neoconcrete networks Nicolas Bourriaud objects painting performance physical play political potential Press produced race racial relational aesthetics relationship Rhythm Rirkrit Tiravanija sculpture social space specific spectator participation structure Tate theory Thomas Hirschhorn tion Tiravanija's art trans transformed viewer visitors visual Yoko York