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Sergei M Eisenstein
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action actors alternate montage American American Fireman appears articulations audience avant-garde beginning benshi bourgeois Caligari Carozza characters cinema of Japan classical close-up codes completely continuity course cultural David Gray decoupage dialectic diegesis diegetic directors discourse Doctor Mabuse dramaturgical Dreyer Dreyer's early editing effect Eisenstein ellipse essential Eve Francis example experiments eyeline eyeline matching fact film-makers film's filmic frame function Griffith hand haptic Hull ideological images Institutional Mode intellectual montage Japan Japanese cinema Jeanne d'Arc Kuleshov L'Herbier L'Inhumaine Lang's lecturer linear linked long shot Lumiere Mabuse Mabuse's matches Miss Mend mode of representation montage of attractions narrative police Porter Potemkin present Primitive Cinema Primitive Mode principle produced Pudovkin relationship rhyme role scene screen seems seen sense sequence shot changes silent films sound Soviet space space-time spatial spectator spectator's stage structure successive tableau Tchitche temporal theatre traditional Vampyr Vertov visual voyeur Wenck Western