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A PHILOSOPHICAL AND AESTHETIC PERSPECTIVE
PERSPECTIVES OF ACTORS IN MUSICAL LIFE
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according aesthetic Ansermet Antal Dorati artistic aspects assimilation auditive basic Beethoven causal Celibidache cognitive coherence complex composer composer's composition conductor congruency consciousness constituted corresponding creative criteria critical David Lewin determined direction Dufrenne entails Ernest Ansermet experiential expression fact focuses formal fundamental Furtwangler gestalting Heinrich Schenker hermeneutics Hermeren historical human Husserl idea identity indicated intentional acts intentional object intentionality interpretation analysis interpretation in performance interpretation research interpretation science interpretative process interpreter's interpretive acts investigation Kurkela listener logical means melody mode music performance musical interpretation musicians musicology Musik musikalischen Nachtsheim notation notion object ontological Paul Sacher perception performer's perspective phenomena phenomenological philosophy possible postulate presupposes priori problem proposed question realization reference regarding relation relevant requires Schenker score semiotics sense Sergiu Celibidache sound event specific Stockholm Stravinsky structure tempo tempo rubato theoretical tone understanding various whereas