Making faces, playing God: identity and the art of transformational makeup

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University of Texas Press, Aug 15, 2001 - Performing Arts - 234 pages
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"This book is entirely unique, very well written, dramatic, and, at the same time, philosophical. It is likely to appeal to a very large audience, including anybody interested in the visual arts, in film, in theater, in philosophical problems of transformation, and in the unconscious generally."--Melvin R. Lansky, M.D., UCLA Medical School and Los Angeles Psychoanalytic InstituteWearing a mask--putting on another face--embodies a fundamental human fantasy of inhabiting other bodies and experiencing other lives. In this extensively illustrated book, Thomas Morawetz explores how the creation of transformational makeup for theatre, movies, and television fulfills this fantasy of self-transformation and satisfies the human desire to become "the other."Morawetz begins by discussing the cultural role of fantasies of transformation and what these fantasies reveal about questions of personal identity. He next turns to professional makeup artists and describes their background, training, careers, and especially the techniques they use to create their art. Then, with numerous before-during-and-after photos of transformational makeups from popular and little-known shows and movies, ads, and artist' demos and portfolios, he reveals the art and imagination that go into six kinds of mask-making--representing demons, depicting aliens, inventing disguises, transforming actors into different (older, heavier, disfigured) versions of themselves, and creating historical or mythological characters.

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User Review  - MarthaJeanne - LibraryThing

Fascinating! Quite outside of the mechanics of the film makeup, this book is interesting because it philosophizes about identity. Read full review

Contents

Te Practice of Transformation
45
Afterthoughti
223
Index
229
Copyright

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About the author (2001)

Morawetz, Tapping Reeve Professor of Law and Ethics at the University of Connecticut School of Law, writes avocationally on modern literature, nonfiction, mysteries, and movies.

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