A Century of Recorded Music: Listening to Musical History

Front Cover
Yale University Press, 2000 - Music - 306 pages
0 Reviews
A century of recording has fundamentally changed our experience of music-the way we listen to it and the way it is performed. This highly engaging book is the first thorough exploration of the impact of recording technology upon the art of music. Timothy Day chronicles the developments in recording technology since its inception and describes the powerful effects it has had on artistic performance, audience participation, and listening habits. He compares the characteristics of musical life one hundred years ago-before the phonograph-to those of today and offers a fascinating analysis of how performing practices, images of performers, the work of composers, and performance choices in concert halls and opera houses have changed. The book investigates the work of such great recording engineer-impresarios as Fred Gaisberg and Walter Legge; the recording history of conductors, orchestras, and soloists throughout the century; and the development of the great classical recording labels. Day also addresses a variety of questions raised by the study of recordings: What have people expected of a recorded performance? Do recordings constitute an art form in their own right? What is historical authenticity? What is moral authenticity? Are recordings that endow incompetent artists with flawless techniques somehow fraudulent? Why do artists re-record repertoire? This book will inform and engage a wide range of readers, from those who love music and recordings to performers and scholars and all readers with an interest in the social and artistic history of the twentieth century.
  

What people are saying - Write a review

A century of recorded music: listening to musical history

User Review  - Not Available - Book Verdict

Day, curator of Western art music at the Sound Archive of the British Library in London, is unquestionably an authority on recorded music, and he writes with an anecdotal ease that is engaging and ... Read full review

Contents

Making Recordings
1
The Repertory Recorded
58
Changes in Performing Styles Recorded
142
Listening to Recordings
199
Bibliographical Note
257
A Note on the Recordings
260
Notes
262
Index
289
Copyright

Common terms and phrases

References to this book

All Book Search results »

About the author (2000)

Day is curator of Western art music at the Sound Archive of the British Library, London, one of the largest collections of recorded sound in the world.

Bibliographic information