 | Samuel Greatheed, Daniel Parken, Theophilus Williams, Josiah Conder, Thomas Price, Jonathan Edwards Ryland, Edwin Paxton Hood - English literature - 1820 - 636 pages
...grave, and solemn wind musiq accompanying y" organ, was introduc'da concert of 24 violins betweene every pause, after the French fantastical light way, better suiting a tavern or playhouse than a church.' These were early days, which exhihited but a sample and earnest of what the... | |
 | 1833 - 792 pages
...of the antient, grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins between every pause, after the French fantastical light way, better suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet which... | |
 | Theology - 1833 - 806 pages
...of the antient, grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins between every pause, after the French fantastical light way, better suiting a tavern or Playhouse than a Church. This was the first time of change, and now we no more heard the cornet which... | |
 | Walter Farquhar Hook - 1859 - 826 pages
...was introduced a concert of 24 violins between every pause, after the French fantastical lightway, better suiting a tavern or a play-house than a church....service in the Church was that performed annually a few years since at the feast of the sons of the clergy at St. Paul's. The instrumental accompaniments... | |
 | John Evelyn - Great Britain - 1870 - 788 pages
...grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins betweene every pause, after the French fantastical light way, better suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet which... | |
 | John Evelyn - Autobiography - 1879 - 652 pages
...grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins betweene every pause, after the French fantastical light way, better suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet which... | |
 | John Knowles Paine, Theodore Thomas, Karl Klauser - Composers - 1891 - 296 pages
...ancient, grave, and solemn wind musique accompanying the organ, was introduced a concert of twenty- four violins between every pause, after the French fantastical light way, better suiting a tavern or playhouse than a Church. This was the first time of change ; and now we no more heard the cornet which... | |
 | Samuel Pepys, Mynors Bright - Great Britain - 1893 - 218 pages
...Instead of the antient, grave and solemn wind musiq accompanying the organ, was introduc'da concert of 24 violins between every pause after the French fantastical light way, better suiting a tavern or playhouse than a church. This was the first time of change, and now we no more heard the cornet which... | |
 | Hugh Reginald Haweis - Violin - 1898 - 342 pages
...music accompanying the organ, was introduced a concert of twenty-four violins between every pause, in the French fantastical light way, better suiting a tavern or a playhouse than a church." "Pis an ill wind that blows nobody and nothing any good, and we cannot doubt that his Majesty's royal... | |
 | Hugh Reginald Haweis - Violin - 1898 - 362 pages
...music accompanying the organ, was introduced a concert of twenty-four violins between every pause, in the French fantastical light way, better suiting a tavern or a playhouse than a church." Tis an ill wind that blows nobody and nothing any good, and we cannot doubt that his Majesty's royal... | |
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The Law against Lovers.'1 21. One of his Majesty's Chaplains preach'd, after which, instead of the ancient, grave, and solemn wind musiq accompanying the organ, was introduced a concert of 24 violins betweene every pause, after the French fantastical... 
