Albanian urban lyric song in the 1930s, Volume 1
The author examines the indigenous diatonic and chromatic modes used in Albanian urban music and classifies them under traditional headings and as part of a newly established grouping, here termed south-western Balkan modes. The core of the work is the analysis of Albanian urban lyric songs, seen as an artistic version of the traditional Albanian urban songs.
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The Transmission of Urban Songs
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accents accompaniment aheng Alba Albanian music Albanian songs Albanian urban lyric Albanian urban songs aman Antoniu art music art singers artistic augmented second AULS bars beautiful bejtexhi Bektashi Berat bilbil Byzantine Byzantine music cadential formula century Chapter characteristic Ciko composed composer-arrangers concert culture diatonic diatonic modes Dungu Elbasan Elbasanase ensembles finalis flower Gjoka harmonic Hicaz instrumental Koco Kono Korca Kosova Kraja Kurti Lasgush Poradeci love songs lule makam melodic formula meter metrical Middle Eastern modal musicians Muzikor Myzyri Nightingale non-diatonic mode notated o i mjeri orch orchestral Ottoman Paluca particularly pentachord pentatonic piano poem poetic Poradeci recorded refrain regional rhythm rhythmic role saze Shkodra Shqiptare Signell singing Sokoli soprano south Albania Southwestern Balkan Modes stanza strophe style subtonic sung syllables Tashko-Koco tetrachord tion Tirana tone tonic Tosk Transcribed tunes Turkish urban lyric songs urban music verse-line violin vjen vocal line voice words Zare