Jewish Identities: Nationalism, Racism, and Utopianism in Twentieth-Century Music (Google eBook)

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University of California Press, Jan 6, 2008 - Biography & Autobiography - 468 pages
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"Jewish Identities "mounts a formidable challenge to prevailing essentialist assumptions about "Jewish music," which maintain that ethnic groups, nations, or religious communities possess an essence that must manifest itself in art created by members of that group. Kl ra M ricz scrutinizes concepts of Jewish identity and reorders ideas about twentieth-century "Jewish music" in three case studies: first, Russian Jewish composers of the first two decades of the twentieth century; second, the Swiss American Ernest Bloch; and third, Arnold Schoenberg. Examining these composers in the context of emerging Jewish nationalism, widespread racial theories, and utopian tendencies in modernist art and twentieth-century politics, M ricz describes a trajectory from paradigmatic nationalist techniques, through assumptions about the unintended presence of racial essences, to an abstract notion of Judaism.
  

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Contents

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About the author (2008)

Klara Moricz is the Valentine Visiting Assistant Professor of Music at Amherst College. She is the editor of a forthcoming volume of the "Bela Bartok Complete Critical Edition" and a member of the editorial board of the "Journal of American Musicological Society.

Bibliographic information