When we were young: new perspectives on the art of the child

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University of California Press, in association with the Phillips Collection Center for the Study of Modern Art and Illinois at the Phillips, a program of the University of Illinois at Urbana-Champaign, 2006 - Art - 289 pages
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In his last and most overarching essay on the subject, Rudolf Arnheim encourages us to see the range of individuality in children's drawings and to recognize the child's creation of "significant form" as a way of bringing coherence to his or her experience of the world. This groundbreaking book brings together distinguished critics and scholars, including Rudolf Arnheim, to explore children's art and its profound but rarely documented history. The contributors address central questions of how children use art to make sense of their experience and what really constitutes visual "giftedness" in children. They also cover such topics as visual thinking, the influence of popular culture on children's drawings, giftedness versus education in children's drawings, process, and social interaction in drawing. Created to accompany an exhibition on children's drawings, When We Were Young features a stunning full-color gallery of drawings both by famous artists such as Ingres, Van Gogh, Picasso, Miró, and Klee when they were children and by extraordinary "ordinary" children. An annotated chronology, with synopses and more than a thousand scholarly notes, offers a comprehensive survey of the literature and history of child art from the thirteenth century to the present.
Essays by Rudolf Arnheim, Jonathan Fineberg, Misty S. Houston, Olga Ivashkevich, Christine Marmé Thompson, and Elizabeth Hutton Turner

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Contents

Gifts of Seeing Jonathan fineberg
31
Aspects of Drawing and Play
77
Childs Play and the Origins of
87
Copyright

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About the author (2006)

Jonathan Fineberg is Gutgsell Professor of Art History at the University of Illinois, Urbana-Champaign. He has also taught at Yale, Harvard, and Columbia universities and is a trustee of the Phillips Collection in Washington, D.C. In addition to editing Discovering Child Art: Essays on Childhood, Primitivism, and Modernism, he is the author of The Innocent Eye: Children's Art and The Modern Artist, Art since 1940, and Imagining America: Icons of 20th Century American Art.

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