Russia's Diamond Colony: The Republic of Sakha

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Psychology Press, 2000 - History - 393 pages
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The legendary Greek figure Orpheus was said to have possessed magical powers capable of moving all living and inanimate things through the sound of his lyre and voice. Over time, the Orphic theme has come to indicate the power of music to unsettle, subvert, and ultimately bring down oppressive realities in order to liberate the soul and expand human life without limits. The liberating effect of music has been a particularly important theme in twentieth-century African American literature.

The nine original essays in Black Orpheus examines the Orphic theme in the fiction of such African American writers as Jean Toomer, Langston Hughes, Claude McKay, James Baldwin, Nathaniel Mackey, Sherley Anne Williams, Ann Petry, Ntozake Shange, Alice Walker, Gayl Jones, and Toni Morrison. The authors discussed in this volume depict music as a mystical, shamanistic, and spiritual power that can miraculously transform the realities of the soul and of the world. Here, the musician uses his or her music as a weapon to shield and protect his or her spirituality. Written by scholars of English, music, women's studies, American studies, cultural theory, and black and Africana studies, the essays in this interdisciplinary collection ultimately explore the thematic, linguistic structural presence of music in twentieth-century African American fiction.

  

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Contents

ONE Introduction
1
TWO Overview of the Republic of Sakha
21
THREE Patterns of Resource Production in the Republic
71
FOUR The Regional Economy of the Republic of Sakha
113
FIVE Privatization and Performance in the Republic of Sakha
157
SIX Natural Resource Export from the Republic of Sakha
231
SEVEN Lessons for Sakhas Development
307
Epilogue The Republic of Sakha in 1998 and Beyond
317
Appendices
331
Bibliography
347
Sources for Figures
375
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