Ion (Google eBook)

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Digireads.com Publishing, Jan 1, 2004 - Drama
9 Reviews
Euripides (480 BC-406 BC) is revered as one of the three great tragedians of classical Athens, along with Aeschylus and Sophocles, and produced the largest body of extant work by any ancient playwright. He is considered to be the most modern of the three, and his works laid the foundation for Western theatre. "Ion" interprets the legend of the orphan Ion, who was conceived from the rape of Creusa by the god Apollo. Creusa is determined to keep the rape secret, and leaves the baby for dead. The baby is rescued by Hermes, and raised by a Pythian Priestess in Delphi. Many years later, when Creusa and her husband Xuthus visit the oracles at Delphi, the mother and son are reunited under false pretenses. The ensuing story of betrayal, revenge and reconciliation exemplifies Euripides' clever ability to question the roles and fallibility of the gods in an emotional and beautifully written tale.
  

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Review: Ion

User Review  - Garrett Cash - Goodreads

My Greek fatigue is strong, but I'm so close to having read all extant Greek tragedies! I must truck on! Read full review

Review: Ion

User Review  - Wael Mahmoud - Goodreads

I read it transalted by Philip Vellacott. This is the first play i read by Euripides, and because of it i became optimistic about his other works. It got all the elements of an ancient Greek drama ... Read full review

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About the author (2004)

Euripides, one of the three great Greek tragedians was born in Attica probably in 485 B.C. of well-to-do parents. In his youth he cultivated gymnastic pursuits and studied philosophy and rhetoric. Soon after he received recognition for a play that he had written, Euripides left Athens for the court of Archelaus, king of Macedonia. In his tragedies, Euripides represented individuals not as they ought to be but as they are. His excellence lies in the tenderness and pathos with which he invested many of his characters. Euripides' attitude toward the gods was iconoclastic and rationalistic; toward humans-notably his passionate female characters-his attitude was deeply sympathetic. In his dramas, Euripides separated the chorus from the action, which was the first step toward the complete elimination of the chorus. He used the prologue as an introduction and explanation. Although Euripides has been charged with intemperate use of the deus ex machina, by which artifice a god is dragged in abruptly at the end to resolve a situation beyond human powers, he created some of the most unforgettable psychological portraits. Fragments of about fifty-five plays survive; some were discovered as recently as 1906. Among his best-known plays are Alcestis (438 B.C.), Medea and Philoctetes (431 B.C.), Electra (417 B.C.), Iphigenia in Tauris (.413 B.C.), The Trojan Women (415 B.C.), and Iphigenia in Aulis Iphigenia (c.405 B.C.). Euripides died in Athens in 406. Shortly after his death his reputation rose and has never diminished.

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