My Childhood

Front Cover
Penguin Books Limited, 1966 - Biography & Autobiography - 234 pages
13 Reviews
Coloured by poverty and horrifying brutality, Gorky's childhood equipped him to understand - in a way denied to a Tolstoy or a Turgenev - the life of the ordinary Russian. After his father, a paperhanger and upholsterer, died of cholera, five-year-old Gorky was taken to live with his grandfather, a polecat-faced tyrant who would regularly beat him unconscious, and with his grandmother, a tender mountain of a woman and a wonderful storyteller, who would kneel beside their bed (with Gorky inside it pretending to be asleep) and give God her views on the day's happenings, down to the last fascinating details. She was, in fact, Gorky's closest friend and the epic heroine of a book swarming with characters and with the sensations of a curious and often frightened little boy. My Childhood, the first volume of Gorky's autobiographical trilogy, was in part an act of exorcism. It describes a life begun in the raw, remembered with extraordinary charm and poignancy and without bitterness. Of all Gorky's books this is the one that made him 'the father of Russian literature'.

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Review: My Childhood

User Review  - Jenni - Goodreads

If you're looking for a plot of any kind, don't read this book. With that said, this book celebrates the beauty of nature and at the same time indifferently reveals the often senseless cruelty of ... Read full review

Review: My Childhood

User Review  - Alexandra Daw - Goodreads

This is a really extraordinary story and a memoir which makes it even more fascinating. It's easy to read but in many ways the subject matter is disquieting. This slim volume provides a thought ... Read full review

About the author (1966)

Alexei Maximovich Peshkov, better known as Maxim (Maksim) Gorky, was born on March 28th, 1968. Until the recent collapse of the Soviet state, Gorky was officially viewed as the greatest Russian writer of the twentieth century---an evaluation far above the true measure of his nevertheless considerable talent. Proclaimed the founder of socialist realism, he significantly influenced many Soviet writers, as well as others in Europe and in the developing world, and his works were for decades part of the Soviet school curriculum. His formal education was minimal. From the age of 11, he fended for himself with a variety of jobs. Self-taught, he published his first story, "Makar Chudra," in 1892. His first collection, Sketches and Stories (1898), is a romantic celebration of society's strong outcasts---the hobos and the drifters---and helped to popularize such literary protagonists. Foma Gordeyev (1899), Gorky's first novel, depicts generational conflict within the Russian bourgeoisie. A popular public figure on the left, Gorky was often in trouble with the tsarist government. During the 1900s, he was the central figure in the Znanie publishing house, which produced realist prose with a social conscience. Some of his own works were extremely successful. The play The Lower Depths (1902), set in a poorhouse and a strong indictment of social injustice, was not only a staple of Soviet theater but also influential in the United States. Eugene O'Neill's The Iceman Cometh was influenced by it. The propagandistic, extraordinarily influential novel Mother (1906) presents an iconic working-class woman who is transformed into a saint of the Revolution; its optimism in the ultimate triumph of the cause made it a prototype of socialist-realist fiction. During the years prior to 1917, Gorky published a number of autobiographical stories: All Over Russia (1912--18) (also Through Russia) and his memoirs; My Childhood (1913--14), My Apprenticeship (1915--16), and My Universities (1923). This trilogy shows his art at its best and includes some very lively reminiscences of such writers as Tolstoy and Chekhov. Although a Bolshevik party member since 1905, Gorky strongly criticized the new regime after the October Revolution: His collected articles from 1917-18, Untimely Thoughts, remained unpublished in the Soviet Union until recently. A cultural activist, he helped to save the lives of many writers, artists, and scholars during the cold and hungry years of the civil war. In 1921 he left Russia for Italy but returned permanently a decade later, recognized as the grand old man of Soviet literature. He then worked for Stalin's economic policies and presided over the institutionalization of socialist realism. At his death, he left unfinished a major novel of considerable interest, The Life of Klim Samgin, which he had been working on since 1925.

Ronald Wilks has translated Chekhovs short stories, as well as the work of other Russian writers, for Penguin Classics.

John Sutherland teaches English at University College, London and has edited several works for Penguin Classics.

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