Pierre Bonnard: the work of art, suspending time : Musée d'art moderne de la ville de Paris, 2 february-7 may 2006

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Paris musées, 2006 - Art - 359 pages
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Essays by Yve-Alain Bois, Sarah Whitfield and Georges Rocque.

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Contents

Suzanne Page Introduction the work of art suspending time
23
ESSAYS Page 51 YveAlain Bois
24
Bonnards passivity
51
Copyright

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About the author (2006)

Pierre Bonnard was born in 1867 in Fontenay-aux-Roses, outside Paris. He studied law, but had taken painting as his profession by his mid-20s, and had his first gallery exhibit before he was 30. He showed in the Salon des Independants and worked with a group of painters, including Édouard Vuillard and Maurice Denis, who called themselves the Nabis, from the Hebrew for prophet. Influences on his work ranged from Symbolism to Cubism, and in every variation of his style, his longtime muse and eventual wife Marthe appears over and over, ever youthful. His reputation has strengthened considerably since his death in 1947, "So much so, as Stanley Meisler writes, that Bonnard is now widely regarded as one of our century's most complex and masterful painters.

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