The Technique of the Television Cameraman |
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Page 66
... horizontal and vertical angles of view will be 4 : 3 . A lens with a horizontal angle of view of 24 degrees will have a vertical angle of view of 18 degrees , and so on . This is not entirely a feature of the lens , of course , which ...
... horizontal and vertical angles of view will be 4 : 3 . A lens with a horizontal angle of view of 24 degrees will have a vertical angle of view of 18 degrees , and so on . This is not entirely a feature of the lens , of course , which ...
Page 98
... horizontal line which bisects the frame , and its upper limit will be a horizontal line one - third of the distance down from the top of frame . Eyes must always be placed in this band for all shots up to and in- cluding long shots ...
... horizontal line which bisects the frame , and its upper limit will be a horizontal line one - third of the distance down from the top of frame . Eyes must always be placed in this band for all shots up to and in- cluding long shots ...
Page 112
... horizontal lines in the scene appear to rest on the artist's head . And horizontal and verti- cal lines should never bisect the picture - the ideal place for them is about one - third of the distance in from the edges of frame ...
... horizontal lines in the scene appear to rest on the artist's head . And horizontal and verti- cal lines should never bisect the picture - the ideal place for them is about one - third of the distance in from the edges of frame ...
Contents
Foreword | 9 |
THE TELEVISION STUDIO | 21 |
STUDIO EQUIPMENT | 36 |
Copyright | |
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Common terms and phrases
adjust angle lens angle of view artist artist's face back light background basic boom operator bottom of frame camera dolly camera mounted camera movement camera position camera tube cameraman camerawork caption centre of interest circle of confusion close close-up composition crabbing crane crib-card degrees depth of field diagonal distance edge of frame effect equipment example eyes filler light focal length focusing foreground FREDDY front headroom horizontal hyperfocal distance invariably iris key light lamp lighting director long shot method microphone mirror move the camera narrow-angle lenses normal object panning head perspective picture pivot placed practice problems refocusing rehearsals scene screen shadows shooting side signals speed static studio floor technique tilt top of frame track trackable dolly tracker transmission turret two-shot type of shot vary vertical viewer viewfinder vision mixer whip pan wide shot wide-angle lens zoom lens