Pen and Mouse: Commercial Art and Digital Illustration
Angus Hyland, Roanne Bell
Laurence King, 2001 - Commercial art - 140 pages
This book investigates the work of the image-makers whose profession occupies the space between graphic design and fine art and whose tools are increasingly those of a digital medium. Though many artists continue to execute a large part of their work by hand, the usefulness of the computer as a tool is now wiedly acknowledged. Some illustrators produce purely digital artwork, while many create fascinating hybrid forms that combine digital and traditional media. Featuring a range of contemporary approaches to illustration, the book reveals the innovative areas of current practice.
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acrylic aesthetic Alan Baker Anthony Burrill Art and Digital art directors Artist/illustrator Author Chris Kasch collage colour commercial artist computer-generated Craft uses Technology Craft/Technology creating images Creative develop into previously Digital Artist Digital Illustration digital world drawing Evan Hecox Faiyaz Jafri fashion films Folio Society Illustration Freehand Giles Smith Graham Rounthwaite Graphic Artist graphic design hand Ian Wright idea Illustration's Illustrator/designer image-making imagery Information graphics inspires interested Island Records Jasper Goodall Jeff Fisher job title John Maeda Kate Gibb Kinsey Kristian Russell Love Lucy Vigrass Marion Deuchars medium Michael Gillette Miles Donovan Mineral Clothing motivation Nick Higgins paint Painter/illustrator Pen and Mouse photocopies piece postcard for Mineral produce profession's own perspective Reggie Pedro Rene Habermacher response Rick Poynor Roderick Mills role scan screen print Spencer Wilson SPIN magazine stencils style techniques things tidy Tommy Penton traditional visual communication Warren Du Preez