Bollywood: A Guidebook to Popular Hindi Cinema

Front Cover
Psychology Press, 2004 - Performing Arts - 254 pages
6 Reviews

'Bollywood' is the dominant global term to refer to the prolific Hindi language film industry in Bombay (renamed Mumbai in 1995). Characterised by music, dance routines, melodrama, lavish production values and an emphasis on stars and spectacle, Bollywood films have met with box-office success and enthusiastic audiences from India to West Africa to Russia, and throughout the English-speaking world.

In Bollywood, anthropologist and film scholar Tejaswini Ganti provides a guide to the cultural, social and political significance of Hindi cinema, outlining the history and structure of the Bombay film industry, and the development of popular Hindi filmmaking since the 1930s. Providing information and commentary on the key players in Bollywood, including directors and stars, as well as material from current filmmakers themselves, the areas covered in Bollywood include:

  • history of Indian cinema
  • narrative style, main themes, and key genres of Hindi cinema
  • significant films, directors and stars
  • production and distribution of Bollywood films
  • interviews with actors, directors and screenwriters.
  

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Review: Bollywood: A Guidebook to Popular Hindi Cinema

User Review  - Arpita - Goodreads

Written with academic rigor, Ganti attempts to explain Bollywood on its own terms. She has a discerning eye for the socio-cultural significance of Bollywood cinema and her book neither celebrates nor ... Read full review

Review: Bollywood: A Guidebook to Popular Hindi Cinema

User Review  - Manisha Kerai - Goodreads

A nice brief breakdown of Hindi cinema, I found it easy to read and dip into and the recommendations were really good. I would have liked a wider selection of backgrounds to other prominent actors and ... Read full review

Contents

Introduction
1
The production and distribution of popular Hindi cinema
53
Key figures in the Bombay film industry
91
Key films of postindependence Hindi cinema
137
Reflections and perspectives on Hindi cinema by contemporary Bombay filmmakers
173
Significant dates and events in the history of Indian cinema
205
Suggestions for further reading
222
Notes
227
Bibliography
238
Index
242
Copyright

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Page 223 - Swadeshi Cinema: Cinema, Politics and Culture: The Writings of DG Phalke," Continuum 2(1): 44-73. (1987) "From Monopoly to Commodity: The Bombay Studios in the 1930s,

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About the author (2004)

Tejaswini Ganti is an Assistant Professor of Anthropology at Connecticut College.

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