Changing Sex And Bending Gender

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Berghahn Books, Sep 15, 2005 - Psychology - 158 pages
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Anthropologists and historians have shown us that 'male' and 'female' are variously defined historically and cross-culturally. The contributions to this volume focus on the voluntary and involuntary, temporary or permanent transformation of gender identity. Overall, this volume provides powerful and compelling illustrations of how, across a wide range of cultures, processes of gender transformation are shaped within, and ultimately constrained by, social and political context. From medical responses to biological ambiguity, legal responses to cases brought by transsexuals, the historical role of the eunuch in Byzantium, the social transformation of gender in Northern Albania and in the Southern Philippines, to North American 'drag' shows, English pantomime and Japanese kabuki theatre, this volume offers revealing insights into the ambiguities and limitations of gender transformation.

Alison Shawis a Senior Research Fellow at the University of Oxford, Department of Public Health. Her research interests include medical anthropology, ethnicity, kinship and social aspects of genetics. Her publications includeKinship and Continuity: Pakistani families in Britain(Harwood/Routledge 2000);A Pakistani Community in Britain(Oxford: Blackwell 1888) andGet by in Hindi and Urdu(1989 BBC Books).

Shirley Ardeneris a Senior Associate of Queen Elizabeth House, the University of Oxford's International Development Centre. She was the Founding Director of the Centre for Cross-Cultural Research on Women, now known as the International Gender Studies Centre, whose programme was recognised by her OBE, and of which she is an active honorary member. She has edited and contributed to many books on gender and is the editor of Berghahn's series Cameroon Studies.

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About the author (2005)

Alison Shaw is a fine-art and editorial photographer who lives and works on Martha's Vineyard, which has provided the inspiration and subject matter for much of her color and black-and-white photography. Over 5000 of her original fine art prints are in public and private collections. Alison's work appears regularly in Yankee Magazine, Martha's Vineyard Magazine and Cape Cod Life.

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