Sacred and Legendary Art 1857, Volume 1

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Kessinger Publishing, Jan 1, 2004 - Art - 460 pages
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Abundantly illustrated with designs from ancient and modern art. Contents: Memoirs of Mrs. Jameson; Chronological List of Mrs. Jameson's works. Certain Patron Saints; Emblems and attributes; Angels and Archangels; The Four Evangelists; The Twelve Apostles; The Doctors of the Church; St. Mary Magdalene; St. Martha; St. Lazarus; St. Maximin; St. Marcella; St. Mary of Egypt and the Beatified Penitents. Profusely illustrated. Volume 2 ISBN 0766181456.

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References from web pages

Anna Jameson, Sacred and Legendary Art
Transcribed, Carolyn Carpenter, from Sacred and Legendary Art by Anna Jameson. Edited, with additional notes by Estelle M. Hurll and abundantly illustrated ...
www.florin.ms/ annajameson.html

NEW BOOKS.; A NEW ATMOSPHERE. by GAIL HAMILTON; author of "Country ...
SACRED AND LEGENDARY ART. By Mrs JAMESON. Blue and gold edition. 2 vols. 12mo. Boston: TICKNOR FIELDS. Cr. is, useless on writings w :e place is pubiic ...
query.nytimes.com/ gst/ abstract.html?res=F00B12FB3E5A1B7493C1A91789D95F408684F9

Medieval Art: Text-Saints: Saint Eustace
Text from Sacred and Legendary Art by Anna Jameson Third Editon: London, 1911 Pages 792-4. Saint Eustace. In Latin, Sanctus Eustatius; ...
vrcoll.fa.pitt.edu/ medart/ texts/ saints/ Jameson/ AJ-SLA-Eustace.html

JSTOR: Anna Jameson: Art Historian and Critic
In the 1840s, when the first two volumes of Jameson's Sacred and Legendary Art were printed, "art for morality's sake" was the ac- cepted tenet and it is ...
links.jstor.org/ sici?sici=0270-7993(198021%2F22)1%3A1%3C20%3AAJAHAC%3E2.0.CO%3B2-C

Charles laporte - Sacred and Legendary Artists: Anna Jameson and ...
Consider the most basic features of Pompilia's story in the light of the collection of virgin martyrs portrayed by Anna Jameson in Sacred and Legendary Art: ...
muse.jhu.edu/ journals/ victorian_poetry/ v039/ 39.4laporte.html

Digital Library of India
Sacred And Legendary Art. Author1. Anna Jameson. Author2. Feliciano Rivera. Subject. Art. Language. English. Barcode ...
dli.iiit.ac.in/ cgi-bin/ Browse/ scripts/ use_scripts/ advnew/ metainfo.cgi?& barcode=123532

Anna Brownell Jameson: Information and Much More from Answers.com
She left the last of her Sacred and Legendary Art series in preparation. It was completed, under the title of The History of Our Lord in Art, ...
www.answers.com/ topic/ anna-brownell-jameson

Saint Reparata - Wikipedia, the free encyclopedia
Anna Jameson, Sacred and Legendary Art (Longman, Brown, Green, 1857), 648. ^ Some sources say she was twelve, or twenty years-old. ...
en.wikipedia.org/ wiki/ Saint_Reparata

NOTES AND QUERIES. [No. 85.
Mrs. Jameson's Sacred and Legendary Art, vol. ii. ..p. 379., where the bell is shown to be emblematic. of the saint's power to. exorcise evil spirits, and ...
nq.oxfordjournals.org/ cgi/ reprint/ s1-III/ 85/ 484-a.pdf

Ecce Ancilla Domini! - Collection Introduction
The idea for this unusual treatment of the Virgin may have come from dgr's reading in Anna Jameson's Sacred and Legendary Art where she refers to ďa ...
www.rossettiarchive.org/ docs/ s44.raw.html

About the author (2004)

Anna Brownell Jameson, 1794 - 1860 Anna Jameson was born in Dublin, Ireland on May 19, 1794, the eldest child of Denis Brownell Murphy, a miniature painter. In 1798, Anna went with her parents to England leaving behind her two sisters. The family was reunited in 1802, and they moved to London in 1803. Anna became engaged to Robert Jameson, a lawyer, in 1820, but broke the engagement off and left for Italy with the Rowles family as a governess to their daughter Laura. In 1825, she finally married Robert Jameson. She published "The Diary of an Ennuye" (1825), which is a fictitious account of her travels in Italy. It gained her some notoriety when it was revealed that is wasn't completely autobiographical. Her husband took the position as a judge in Dominica in 1829, and she went with her father and Sir Gerard Noel to the Continent because of the failure of her marriage. Anna went to Germany where she became very fond of sculptor Henry Behnes Burlow, who died in the cholera epidemic in 1837. Before his death, Burlow introduced her to Robert Noel, cousin to Lady Byron, who then introduced her to painter Retzsch and the Goethe family. She returned to England when her father became ill and remained there for almost two years. She returned to Canada, in 1836, in an attempt to resume her marriage. In 1837, she made a trip around Lake Huron, which is documented in "Winter Studies and Summer Rambles in Canada." Afterwards, she agreed to a formal separation and, in 1854, her husband died and left his estate to others, leaving Anna with nothing. In 1842, her father died and her mother died in 1854. She now was traveling to Scotland, Ireland, Germany and Italy while working on her series of art histories. "Sisters of Charity" was first introduced as a lecture at the home of her friend Elizabeth Jesser Reid. It was followed by another lecture and publication "The Communion of Labour." A group of Jameson's friends put together an annuity to supplement her income because her health was steadily deteriorating. On March 17, 1860, Anna Brownell Jameson died after a brief illness. Before her death, Jameson destroyed many of her personal letters and papers, but a collection was edited by G.H. Needler and published as "Letters of Anna Jameson to Ottilie von Goethe" in 1939. A smaller collection of letters between Lady Byron and Jameson are held at the Bodleian Library, Oxford. Three other biographies that contain letters in whole or in part are "Memoirs" (MacPherson, 1878), "Letters and Friendships" (Erskine, 1915), and "Love and Work Enough" (Thomas, 1967).

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