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acted actors appeared Arden Bacon Ben Jonson Blackfriars Blackfriars Theatre Burbage Caesar career character comedy contemporary copy Court critics death dedicatory described doubtless dramatic dramatist Droeshout Earl of Southampton early edition Elizabethan English engraving extant Falstaff father favour Folio French Garrick genius George German Globe Globe Theatre Hamlet Henry Italian Jaggard James John Shakespeare Jonson King license literary literature London Lord Love's Labour's Lost Lucrece Macbeth Merry Wives Oldcastle Othello patron Pembroke performances piece players poems poet poet's poetic portrait printed probably published purchased quarto references reputation Richard Richard III Robert Romeo and Juliet scenes seventeenth century Shake Shakespeare's plays Shakespeare's sonnets Shakspere Shrew Sir John speare speare's Spenser stage story Stratford Tempest Theatre theatrical Thomas tion title-page tragedy translation Troilus and Cressida Twelfth Night verse vogue volume Warwickshire William Shakespeare Wilmcote Wincot writing wrote youth
Page 88 - What things have we seen Done at the Mermaid! Heard words that have been So nimble and so full of subtle flame As if that every one from whence they came Had meant to put his whole wit in a jest, And had resolved to live a fool the rest Of his dull life.
Page 36 - I am as sorry as if the original fault had been my fault, because myself have seen his demeanour no less civil than he excellent in the quality he professes: besides, divers of worship have reported his uprightness of dealing which argues his honesty, and his facetious grace in writing, that approves his art.
Page 63 - The warrant I have of your honourable disposition, not the worth of my untutor'd lines, makes it assured of acceptance. What I have done is yours ; what I have to do is yours ; being part in all I have, devoted yours.
Page 58 - Gainst death and all-oblivious enmity Shall you pace forth; your praise shall still find room. Even in the eyes of all posterity That wear this world out to the ending doom.
Page 136 - Servants, with great Applause: Written by the memorable worthies of their time, Mr. John Fletcher and Mr. William Shakespeare, Gent.
Page 34 - How would it have joyed brave Talbot (the terror of the French) to thinke that after he had lyne two hundred yeares in his Tombe, hee should triumphe againe on the Stage, and have his bones newe embalmed with the teares of ten thousand spectators at least (at severall times), who, in the Tragedian that represents his person, imagine they behold him fresh bleeding.
Page 137 - True, representing some principal pieces of the reign of Henry the Eighth, which was set forth with many extraordinary circumstances of pomp and majesty, even to the matting of the stage; the knights of the order, with their Georges and Garter, the guards with their embroidered coats and the like: sufficient, in truth, within a while, to make greatness very familiar, if not ridiculous.
Page 88 - I behold like a Spanish great galleon, and an English man-of-war; Master Coleridge, like the former, was built far higher in learning, solid, but slow in his performances. CVL, with the English man-of-war, lesser in bulk, but lighter in sailing, could turn with all tides, tack about, and take advantage of all winds, by the quickness of his wit and invention.
Page 51 - Sweet Swan of Avon ! what a sight it were To see thee in our waters yet appear, And make those flights upon the banks of Thames, That so did take Eliza, and our James...
Page 16 - For this he was prosecuted by that gentleman, as he thought, somewhat too severely ; and in order to revenge that ill-usage he made a ballad upon him. And though this, probably the first essay of his poetry, be lost, yet it is said to have been so very bitter, that it redoubled the prosecution against him to that degree that he was obliged to leave his business and family in Warwickshire for some time, and shelter himself in London.