Tolerating Ambiguity: Ethnicity and Community in Chicano/a Writing
Although recent criticism, focused on issues of resistance and border writing, holds that Chicano/a representations of self and community unsettle and transform hegemonic ideology, it has not fully explained that deconstructive potential. Tolerating Ambiguity argues that the symbolic force of Chicano/a writing is an attribute of ethnic writing which, as a symptom or reminder of the repressed ethnicity of the national consciousness, disturbs the latter. Drawing on different genres, this study analyzes how Chicano/a writing, symptomatic of a repressed prenational identity, resists the binary symbolic order of the national consciousness to yield representations of communities characterized by a resistance to closure and homogeneity and by an accommodation of differences.
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Criticism and Minority Discourse
Unwelcome Remainders Welcome Reminders
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accommodation actos Ana Castillo analysis Anzaldua articulation binary body Bruce-Novoa Chavez Cherrie Moraga Chicanismo Chicano Chicano Movement Chicano Poetry Chicano/a cultural production Chicano/a experience Chicano/a identity Chicano/a literature Chicano/a writing Cixous and Irigaray comprises conceptualization concerned consciousness constitutes construction context corrido critical discourse cultural nationalist culturalist deconstruction derived desire difference disruption drama dynamic early contemporary emphasizes essential female feminism feminist function Gary Soto Gonzales identifies ideology individual initial inscribed intersubjective John Rechy Kristeva latter linked literary logocentric Luis Valdez Malinche Mama Chona Marisa melting pot mestiza Mexican Miguel Chico minority Moraga Moreover Movement multiple narrative national group object oedipal oppression patriarchal Perez-Torres phallogocentric plural poem poetry political possible practice pre-Columbian pre-oedipal problematic reconstitution regard relationships of domination representation repression resistance Saldfvar significant socio-cultural Sommers specific strategy structure Teatro Teatro Campesino tendency textuality theater tradition unconscious Valdez Virgin of Guadalupe women